TENOR2021 welcomes contributions from researchers, composers, educators, members of industry, performers, software developers, librarians, and others with an interest in image, sound and music-related topics.
Contributions are expected in the form of a 6 to 8 pages article (10 pages maximum) according to the instructions of the template.
The template is available here: latex (encouraged) or here: word.
Proposals should be submitted via easychair: https://easychair.org/conferences/?conf=tenor2022
Topics
Original contributions are encouraged in, but not limited to, the following topics:
- Computer environments for music notation
- Computer-Aided Composition. (special session)
- AR/VR/distributed environments for notation (special session)
- History and aesthetics of notation : from sound to sign, sign to sound. (special session)
- Comprovisation (special session)
- Principles of mnemonic notation, exploring the relationship between memory and representation
- Musicological perspectives on technology for notation
- Critical aesthetic and sociological examinations of the interactions between new notation technologies and performance.
- Notation for electronic music, gestural controllers and spatialization
- New interfaces for music notation
- Digital games as notation - gamification
- Notation and representation of sonified data
- Representation technologies for time-based arts (space, gesture, movement)/li>
- Non-visual notation systems (aural/audio-score, tactile, etc.)
- Animated notation (in education and semi-improvised contexts)
- Computational musicology
- Notation in interactive performance systems
- Notation and robotics, AI, Machine learning
- Notation and neurocognition
- Narration and discourse in cross-art collaborations (e.g. sound-image relationship, ciné-concert...)
- Representation and Music Information Retrieval
- Ancient and modern notations, European and non-European notations.
- Archives as notation - recording as score (e.g. status of audiovisual recordings in improvised musical performance and oral traditions)
- Notation and archiving process, archives as notation.
- Notation and sound/music archives: indexation, reuse, preservation and technological obsolescence...
- Networked music performance - virtuality vs real presence
New topics in relation to PRISM’s main research themes: interdisciplinarity, image/sound/music, dialogue between the two scientific cultures (humanities vs "hard sciences"):
Download the LaTeX template here (recommended). Download the Word template here.