* 09/05/2022 -
The proceedings are now available!

* 19/04/2022 -
Check out the program!

* 08/04/2022 -
Travel funding

* 25/03/2022 - The registration is now available!

* 10/01/2022 - The deadline for paper submissions is extended to January 30th 2022

TENOR2021 welcomes contributions from researchers, composers, educators, members of industry, performers, software developers, librarians, and others with an interest in image, sound and music-related topics.

Contributions are expected in the form of a 6 to 8 pages article (10 pages maximum) according to the instructions of the template.

The template is available here: latex (encouraged) or here: word.

Proposals should be submitted via easychair: https://easychair.org/conferences/?conf=tenor2022

Topics

Original contributions are encouraged in, but not limited to, the following topics:

•   Computer environments for music notation
•   Computer-Aided Composition. (special session)
•   AR/VR/distributed environments for notation (special session)
•   History and aesthetics of notation : from sound to sign, sign to sound. (special session)
•   Comprovisation (special session)
•   Principles of mnemonic notation, exploring the relationship between memory and representation
•   Musicological perspectives on technology for notation
•   Critical aesthetic and sociological examinations of the interactions between new notation technologies and performance.
•   Notation for electronic music, gestural controllers and spatialization
•   New interfaces for music notation
•   Digital games as notation - gamification
•   Notation and representation of sonified data
•   Representation technologies for time-based arts (space, gesture, movement)/li>
•   Non-visual notation systems (aural/audio-score, tactile, etc.)
•   Animated notation (in education and semi-improvised contexts)
•   Computational musicology
•   Notation in interactive performance systems
•   Notation and robotics, AI, Machine learning
•   Notation and neurocognition

New topics in relation to PRISM’s main research themes: interdisciplinarity, image/sound/music, dialogue between the two scientific cultures (humanities vs "hard sciences"):
•   Narration and discourse in cross-art collaborations (e.g. sound-image relationship, ciné-concert...)
•   Representation and Music Information Retrieval
•   Ancient and modern notations, European and non-European notations.
•   Archives as notation - recording as score (e.g. status of audiovisual recordings in improvised musical performance and oral traditions)
•   Notation and archiving process, archives as notation.
•   Notation and sound/music archives: indexation, reuse, preservation and technological obsolescence...
•   Networked music performance - virtuality vs real presence

Download the LaTeX template here (recommended). Download the Word template here.